My Opinion:
"little understood in the West" sounds like a cop-out. An excuse to justify that a different culture might dislike or have a neutral opinion on something. I still think it's all about the design and how it matters to many people, especially those who do not live in Asia. It's not just IN America-- it's all over the globe like Australia and Europe! It's popular in Asia because the kawaii phenomenon is integrated into their beliefs and culture.
For the rest of the article, please click the link below. I've only highlighted the parts of the article that interest me.
Taiwan Today : Taiwan's Culture of Cute
Publication Date:09/29/2013By Steve Hands
Cute things and phenomena are constantly in the news in Taiwan. The
nation has recently witnessed the birth of a giant panda cub, the giant
Rubber Duck by Dutch artist Florentijn Hofman is floating in Kaohsiung
City harbor and EVA Airways has just added a further Hello Kitty route
to Los Angeles. Not to mention a steady release of cute mobile phones,
tablets, laptops and just about any other consumer product imaginable.
The obsession with cute is a huge East Asian phenomenon, little
understood in the West, and what many Westerners find most surprising is
that not just young girls, but ostensibly sensible adults, are smitten
with the bug and have large amounts of cash to drop on their hobby. The
pink pound might be about gay purchasing power in the U.K., but in Japan
the pink yen is mostly about Hello Kitty.
Caroline Favier, a Dutch toy collector whose extensive collection
contains hundreds of curios from the region, might be expected to be
readier than most to sympathize.
“Like most Westerners I don’t like cute,” Favier said in an
online interview. “Actually, I like classic and tacky. I remember I
couldn’t believe the first time I saw a 40-year old secretary’s Hello
Kitty collection on her desk, and that was allowed in an office
environment! It looked so unprofessional.”
But in Taiwan the young-at-heart like to buy cute things,
irrespective of seniority. “My customers are of all ages, but mostly
students, as this store is right by National Taiwan University,” Carolyn
Lin, manager of a Non-no fashion accessories store in Taipei City’s
Gongguan District, told Taiwan Today. “But we also get people in their
40s and adults bringing in their kids.”
Asked why people buy socks and apparel emblazoned with all manner
of cartoon images, domestic and international, Lin seemed slightly
dumbfounded, as if cuteness was so ubiquitous as to be beyond need of
explanation. “They’re necessities. They just like the products because
they’re fashionable.”
The phenomenon is so well-established that academics have taken
an interest in cute mania, or ke’ai as it is known in Taiwan. What
started in Japan with Hello Kitty has turned into a multibillion dollar
global industry, which everyone from sociologists to psychiatrists is
trying to understand.
“Ke’ai is a Chinese term that simply means loveable, and has a
very long history,” Teri J. Silvio, an associate research fellow at the
Institute of Ethnology in Taipei City-based Academia Sinica, told Taiwan
Today in an email interview. Silvio has a huge collection of dolls,
puppets and other figurines, as well as it being a serious research
interest.
“The concept of lovability is probably universal. Anything that
people feel positive about, in any way, can be ke’ai. In Taiwan today,
ke’ai is often used to translate the Japanese term kawaii and the
English cute. All of these terms have slightly different ranges of
meaning.”
Naturally, academic discourse has focused on the situation in Japan,
where ke’ai culture began to take off in the 1970s. “There are many
different explanations for why the kawaii aesthetic is so popular in
Japan,” Silvio said. “Because kawaii products are most popular with
young women, one explanation is that it reflects the sexist structure of
Japanese culture, where women are expected to be weak and men to take
care of them.”
However, Taiwan’s culture is far less sexist than Japan’s, so
other arguments appear more pertinent to local conditions. “Others argue
that the exaggeration of the kawaii style expresses dissatisfaction
with the rigidity of adult gender roles,” Silvio added. “Many people in
the popular culture industries argue that kawaii style is popular
because it is comforting. Kawaii objects provide a kind of respite and
healing from the competition and struggles of daily life in the
contemporary world.”
The explosion in popularity of ke’ai also appears to have a
demographic and material basis. Japan’s kawaii culture coincided with
the huge increase in the number of young single women, often still
living at home as real estate prices shot through the roof, but with
large disposable incomes. Taiwan’s own demographic changes followed hot
on Japan’s heels.
Continued here...